• Paper given at the 2007 SEAMUS conference in Ames, IA on my new strategy for designing interactive performance systems: "Building A Sustainable Repertoire: A Performer's Approach to Realizing Interactive Electroacoustic Works." or get it from the SEAMUS web site: pdf
• Article in Organised Sound, December 2006: "A model for the conservation of interactive electroacoustic repertoire: analysis, reconstruction, and performance in the face of technological obsolescence"
  Organised Sound (2006), 11: 273-284 Cambridge University Press
• Paper on Jonathan Kramer's RENASCENCE [1974], originally for B-flat clarinet, tape delay system, and prerecorded tape, presented at the 2006 Spark Festival of Electronic Music and Art, University of Minnesota, Minneapolis, MN: "Performing Jonathan Kramer's RENASCENCE"
• Paper on Analysis and reconstruction of the digital delay system for Thea Musgrave's Narcissus presented at the 2004 International Computer Music Conference (ICMC) in Miami: "Analysis and Reconstruction of Interactive Electroacoustic Works for Obsolete Technology: Thea Musgrave’s Narcissus"

Computer Music Performance Interface Design

• Interactive Event Manager (IEM): a system for linking processing modules in a scriptable, event-driven environment. Presented at SEAMUS 2007 (see above). More details coming soon.
• Thea Musgrave's Narcissus for flute or clarinet and digital delay
  • Based on my doctoral dissertation research using the composer's original Vesta Koza DIG411 digital delay.
  • Performance software now available | Standalone application (Mac OS only)
  • Paper on Narcissus presented at the 2004 International Computer Music Conference (ICMC) in Miami: "Analysis and Reconstruction of Interactive Electroacoustic Works for Obsolete Technology: Thea Musgrave’s Narcissus"
  • Described in chapters 6 & 9 of my dissertation.
• Jonathan Kramer's RENASCENCE [1974] originally for B-flat clarinet, tape delay system, and prerecorded tape
  • Max/MSP version coming soon ...
  • Described in chapter 7 of my dissertation.

DMA Dissertation: University of Arizona, August 2004

• "Analysis, Reconstruction, and Performance of Interactive Electroacoustic Music for Clarinet and Obsolete Technology: Selected Compositions by Musgrave, Pennycook, Kramer, and Lippe"